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| Song Title | ||||
|---|---|---|---|---|
| Date | Timing | Session Type | Performance Type | |
| 18th Century Ballroom (Nat Adderley, Ray Bryant) | ||||
| December 30, 1957 | 03:46 | Studio | ||
| 31st And State (Wilbur Ware) | ||||
| October 16, 1957 | 06:27 | Studio | ||
| 9 1/2 Street (Kenny Dorham) | ||||
| March 19, 1961 | 05:41 | Studio | ||
| About A Quarter To Nine (Harry Warren, Al Dubin) | ||||
| ca. February 1957 | 02:33 | Studio | ||
| Abstract Art (Marty Paich) | ||||
| between February 8 and March 7, 1957 | Live Performance | |||
| Active Ingredients (Ernie Henry) | ||||
| August 30, 1956 | 04:59 | Studio | ||
| Adnerb (Charles Moffett, Sr.) | ||||
| ca. 1969 | 08:50 | Studio | ||
| Ahmed Muvaffak | ||||
| January 1968 | Studio | |||
| All By Myself (Irving Berlin) | ||||
| January 1969 | 07:43 | Studio | ||
| All The Things You Are (Jerome Kern, Oscar Hammerstein II) | ||||
| 1957 | Studio | |||
| November 3, 1957 - evening | 06:46 | Live Recording | ||
| August 29, 1961 | 08:13 | Studio | ||
| All Through The Day (Jerome Kern, Oscar Hammerstein II) | ||||
| 1957 | Studio | |||
| As Long As I Live (Harold Arlen, Ted Koehler) | ||||
| ca. February 1957 | 02:48 | Studio | ||
| Avant Garde Got Soul Too (Codaryl Moffett, Charles Moffett, Sr.) | ||||
| ca. 1969 | 08:04 | Studio | ||
| Aw C'mon, Hoss (Dick Johnson) | ||||
| October 30, 1957 | 03:09 | Studio | ||
| Be-Ware (John Jenkins) | ||||
| October 16, 1957 | 04:28 | Studio | ||
| Beauteous (Paul Chambers) | ||||
| October 21, 1956 | 05:24 | Studio | ||
| Bees-Ees (Johnny Griffin) | ||||
| ca. 1956 | 03:52 | Studio | ||
| Between The Devil And The Deep Blue Sea (Harold Arlen, Ted Koehler) | ||||
| ca. February 1957 | 02:20 | Studio | ||
| Bewitched, Bothered, And Bewildered (Richard Rodgers, Lorenz Hart) | ||||
| October 15, 1957 | 04:08 | Studio | ||
| Bianca (Paul Jeffrey) | ||||
| 1972 | Studio | |||
| Big Six (William Boone, Jr.) | ||||
| July 2 & 3, 1958 | 06:42 | Studio | ||
| Blue Ching (Kenny Dorham) | ||||
| March 19, 1961 | 06:18 | Studio | ||
| Blue Jay (John Jenkins) | ||||
| July 26, 1957 | 07:07 | Studio | ||
| Blue Lament (Kenny Dorham) | ||||
| March 19, 1961 | 05:26 | Studio | ||
| Blues For Tomorrow (Gigi Gryce) | ||||
| June 25, 1957 | 13:32 | Studio | ||
| Blues In The Night (Harold Arlen, Johnny Mercer) | ||||
| ca. February 1957 | 02:42 | Studio | ||
| Blues March (Benny Golson) | ||||
| July 2 & 3, 1958 | 10:23 | Studio | ||
| Blues Strikes Again (Codaryl Moffett, Charles Moffett, Sr.) | ||||
| ca. 1969 | 03:00 | Studio | ||
| Bobbie Pin (J.R. Monterose) | ||||
| October 21, 1956 | 08:03 | Studio | ||
| Body And Soul (Johnny Green, Edward Heyman, Robert Sour, Frank Eyton) | ||||
| November 18, 1957 | 03:15 | Studio | ||
| Bootin' It (Sonny Clark) | ||||
| July 21, 1957 | 05:12 | Studio | ||
| July 21, 1957 | 05:13 | Studio | ||
| The Boulevard Of Broken Dreams (Harry Warren, Al Dubin) | ||||
| ca. February 1957 | 04:04 | Studio | ||
| The Boy Next Door (Ralph Blane, Hugh Martin) | ||||
| ca. 1956 | 03:17 | Studio | ||
| Brother 'Ball (Richard 'Blue' Mitchell) | ||||
| July 2 & 3, 1958 | 07:21 | Studio | ||
| Can This Be Love? (Paul James, Kay Swift) | ||||
| ca. 1955 | 05:57 | Private Session | ||
| Can't Help Lovin' That Man (Jerome Kern, Oscar Hammerstein II) | ||||
| 1957 | Studio | |||
| Carol (Kenny Drew, Sr.) | ||||
| March 28, 1957 | 04:27 | Studio | ||
| Catharsis (Johnny Griffin) | ||||
| February 25, 1958 | 09:53 | Studio | ||
| Checkmate (Ernie Henry) | ||||
| August 23, 1956 | 05:50 | Studio | ||
| Cherokee (Ray Noble) | ||||
| February 26 or 27, 1958 | 06:38 | Studio | ||
| Cleo's Chant (Ernie Henry) | ||||
| August 30, 1956 | 08:31 | Studio | Alternate | |
| August 30, 1956 | 08:18 | Studio | ||
| Cliff's Edge (Clifford Jordan) | ||||
| July 26, 1957 | 06:29 | Studio | ||
| Come Rain Or Come Shine (Harold Arlen, Johnny Mercer) | ||||
| ca. February 1957 | 02:43 | Studio | ||
| Coming On The Hudson (Thelonious Monk) | ||||
| February 25, 1958 | 06:03 | Studio | ||
| Cotton Tail (Duke Ellington) | ||||
| ca. 1955 | Studio | |||
| ca. 1955 | Studio | Alternate | ||
| Crazy Rhythm (Irving Caesar, Roger Wolfe Kahn, Joseph Meyer) | ||||
| ca. 1955 | Studio | |||
| Crepuscule With Nellie (Thelonious Monk) | ||||
| June 25, 1957 | 01:01 | Studio | Incomplete | |
| June 25, 1957 | 04:34 | Studio | Alternate | |
| June 26, 1957 | 04:46 | Studio | Alternate | |
| June 26, 1957 | 04:39 | Studio | ||
| Cross "D" Tracks (Kenny Dorham) | ||||
| March 19, 1961 | 06:40 | Studio | ||
| Dance Of The Infidels (Bud Powell) | ||||
| April 21, 1957 | 07:52 | Studio | ||
| David The King (Tina Brooks) | ||||
| March 2, 1961 | 06:40 | Studio | ||
| Decidedly (Gerry Mulligan) | ||||
| August 13, 1957 | 05:52 | Studio | ||
| August 13, 1957 | 06:35 | Studio | ||
| Dee Boo-Dat | ||||
| January 1968 | Studio | |||
| Desert Sands (Stuff Smith) | ||||
| October 16, 1957 | 05:28 | Studio | ||
| Dhyana (Tina Brooks) | ||||
| March 2, 1961 | 06:53 | Studio | ||
| Dial S For Sonny (Sonny Clark) | ||||
| July 21, 1957 | 07:21 | Studio | ||
| Diggin' For Diz (Dizzy Gillespie) | ||||
| July 26, 1957 | Studio | |||
| Do It The Hard Way (Richard Rodgers, Lorenz Hart) | ||||
| October 15, 1957 | 05:47 | Studio | ||
| Doggin' Me Blues (Horace Holmes) | ||||
| September or October 1949 | Studio | |||
| Don't Blame Me (Jimmy McHugh, Dorothy Fields) | ||||
| January 7, 1958 | 02:27 | Studio | ||
| Don't Take Your Love From Me (Henry Nemo) | ||||
| ca. 1955 | Studio | |||
| Don't You Know I Care (Duke Ellington, Mack David) | ||||
| June 15, 1961 | 04:55 | Studio | ||
| Down Through The Years (Clifford Jordan) | ||||
| June 15, 1961 | 04:45 | Studio | ||
| East Of The Sun (Brooks Bowman) | ||||
| December 30, 1957 | 07:14 | Studio | ||
| Easy To Love (Cole Porter) | ||||
| April 21, 1957 | 05:37 | Studio | ||
| Echoes Of You (George Handy) | ||||
| December 13 & 18, 1956 | 07:12 | Studio | ||
| The End Of A Love Affair (Edward C. Redding) | ||||
| October 30, 1957 | 05:17 | Studio | ||
| Epistrophy (Thelonious Monk, Kenny Clarke) | ||||
| June 26, 1957 | 01:46 | Studio | Incomplete | |
| June 26, 1957 | 10:45 | Studio | ||
| Extempore (Clifford Jordan) | ||||
| June 14, 1961 | 05:15 | Studio | ||
| F. U. (Paul Jeffrey) | ||||
| 1972 | Studio | |||
| Farid | ||||
| January 1968 | 09:05 | Studio | ||
| Fit For A Hanker (Hank Mobley) | ||||
| April 21, 1957 | 07:20 | Studio | ||
| Flying Fish (Cecil Payne) | ||||
| late 1969 or early 1970 | 12:20 | Studio | ||
| Folderol (Dick Johnson) | ||||
| October 30, 1957 | 07:29 | Studio | ||
| Follow Me (Cecil Payne) | ||||
| late 1969 or early 1970 | 09:16 | Studio | ||
| Fools Rush In (Rube Bloom, Johnny Mercer) | ||||
| December 13 & 18, 1956 | 04:30 | Studio | ||
| Four (Eddie Vinson, Miles Davis) | ||||
| November 3, 1957 - evening | 08:26 | Live Recording | ||
| Free Flight (Ernie Henry) | ||||
| August 23, 1956 | 05:43 | Studio | ||
| Fundamental Frequency (Jean 'Toots' Thielemans) | ||||
| December 30, 1957 | 04:54 | Studio | ||
| Gaza Strip (Owen Marshall) | ||||
| November 4, 1956 | 03:54 | Studio | ||
| Get Happy (Harold Arlen, Ted Koehler) | ||||
| ca. February 1957 | 02:47 | Studio | ||
| November 3, 1957 - evening | 09:08 | Live Recording | ||
| November 3, 1957 - evening | 04:38 | Live Recording | ||
| The Gift (Charles Moffett, Jr., Charles Moffett, Sr.) | ||||
| ca. 1969 | 05:28 | Studio | ||
| Girl, You Got A Home (Cecil Payne) | ||||
| late 1969 or early 1970 | 10:48 | Studio | ||
| Gone With The Wind (Allie Wrubel, Herb Magidson) | ||||
| August 23, 1956 | 03:20 | Studio | ||
| Got Good News For Ya, Baby (Horace Holmes) | ||||
| September or October 1949 | Studio | |||
| Green Stamp Monsta! (Herbie Mann) | ||||
| May 2, 1957 | 07:58 | Studio | ||
| Happy Hunting Horn (Richard Rodgers, Lorenz Hart) | ||||
| October 15, 1957 | 04:15 | Studio | ||
| Here And Now (George Handy) | ||||
| December 13 & 18, 1956 | 04:55 | Studio | ||
| Hi Groove, Low Feedback (Hank Mobley) | ||||
| April 21, 1957 | 09:52 | Studio | ||
| Hot Sausage (Jodie Christian) | ||||
| February 26 or 27, 1958 | 04:01 | Studio | ||
| I Can't Get Started (Vernon Duke, Ira Gershwin) | ||||
| November 3, 1957 - evening | 04:54 | Live Recording | ||
| I Could Write A Book (Richard Rodgers, Lorenz Hart) | ||||
| October 15, 1957 | 04:38 | Studio | ||
| I Cried For You (Gus Arnheim, Arthur Freed, Abe Lyman) | ||||
| ca. 1956 | 03:37 | Studio | ||
| I Didn't Know What Time It Was (Richard Rodgers, Lorenz Hart) | ||||
| October 15, 1957 | 03:58 | Studio | ||
| I Get A Kick Out Of You (Cole Porter) | ||||
| September 30, 1957 | 04:39 | Studio | ||
| I Got It Bad (And That Ain't Good) (Duke Ellington, Paul Francis Webster) | ||||
| August 26, 1969 | Studio | |||
| I Know Love (Cecil Payne) | ||||
| late 1969 or early 1970 | 02:09 | Studio | Medley | |
| I Love You (Cole Porter) | ||||
| 1976 | 12:00 | Studio | ||
| I May Be Wrong But I Think You're Wonderful (Harry Ruskin, Henry Sullivan) | ||||
| ca. 1955 | Studio | |||
| ca. 1955 | Studio | Alternate | ||
| I Mean You (Thelonious Monk) | ||||
| August 12, 1957 | 06:22 | Studio | Alternate | |
| August 12, 1957 | 06:31 | Studio | Alternate | |
| August 12, 1957 | 06:51 | Studio | ||
| I Only Have Eyes For You (Harry Warren, Al Dubin) | ||||
| ca. February 1957 | 04:02 | Studio | ||
| I Remember You (Victor Schertzinger, Johnny Mercer) | ||||
| between February 8 and March 7, 1957 | Live Performance | |||
| August 29, 1961 | 05:33 | Studio | ||
| I Should Care (Axel Stordahl, Paul Weston, Sammy Cahn) | ||||
| August 30, 1956 | 05:03 | Studio | ||
| If I Had You (Jimmy Campbell, Reg Connelly, Ted Shapiro) | ||||
| August 29, 1961 | 07:09 | Studio | Alternate | |
| August 29, 1961 | 07:07 | Studio | ||
| I'll Remember April (Don Raye, Gene DePaul, Patricia Johnston) | ||||
| August 22, 1956 | 04:14 | Studio | ||
| November 3, 1957 - evening | 09:20 | Live Recording | ||
| August 29, 1961 | 09:06 | Studio | ||
| I'll Take Romance (Ben Oakland, Oscar Hammerstein II) | ||||
| ca. 1955 | Studio | |||
| ca. 1955 | Studio | Alternate | ||
| Ill Wind (Harold Arlen, Ted Koehler) | ||||
| ca. February 1957 | 03:02 | Studio | ||
| I'm Going Back To Arkansas (Bill Broonzy) | ||||
| September 15, 1938 | 02:50 | Studio | ||
| I'm Old Fashioned (Jerome Kern, Johnny Mercer) | ||||
| 1957 | Studio | |||
| Imagination (Jimmy Van Heusen, Johnny Burke) | ||||
| January 7, 1958 | 04:27 | Studio | ||
| Immigration (Paul Jeffrey) | ||||
| 1972 | Studio | |||
| Improvisation (collective improvisation) | ||||
| 1973 | 12:49 | Private Session | ||
| Ina (Paul Jeffrey) | ||||
| 1972 | Studio | |||
| Is It True What They Say About Dixie? (Irving Caesar, Sammy Lerner, Gerald Marks) | ||||
| December 2, 1957 | 04:42 | Studio | ||
| Isn't It Romantic (Richard Rodgers, Lorenz Hart) | ||||
| December 30, 1957 | 05:16 | Studio | ||
| It Could Happen To You (Jimmy Van Heusen, Johnny Burke) | ||||
| July 21, 1957 | 06:56 | Studio | ||
| It's Bad For Me (Cole Porter) | ||||
| October 30, 1957 | 03:55 | Studio | ||
| It's Only A Paper Moon (Harold Arlen, E. Y. Harburg, Billy Rose) | ||||
| ca. February 1957 | 02:15 | Studio | ||
| It's So Peaceful In The Country (Alec Wilder) | ||||
| October 30, 1957 | 02:34 | Studio | ||
| It's Time (Max Roach) | ||||
| May 18 & 19, 1976 | 07:29 | Studio | ||
| It's You Or No One (Jule Styne, Sammy Cahn) | ||||
| March 28, 1957 | 07:59 | Studio | ||
| I've Got The World On A String (Harold Arlen, Ted Koehler) | ||||
| ca. February 1957 | 02:19 | Studio | ||
| September 30, 1957 | 06:33 | Studio | ||
| I've Told Every Little Star (Jerome Kern, Oscar Hammerstein II) | ||||
| 1957 | Studio | |||
| J. P. Boogie | ||||
| September or October 1949 | Studio | |||
| JAMPH (Curtis Fuller) | ||||
| July 2 & 3, 1958 | 03:46 | Studio | ||
| Jazz-Classic (Kenny Dorham) | ||||
| December 2, 1957 | 03:14 | Studio | ||
| Jeepers Creepers (Harry Warren, Johnny Mercer) | ||||
| ca. 1955 | Studio | |||
| ca. February 1957 | 03:06 | Studio | ||
| Johnny G. G. (John Hines) | ||||
| February 25, 1958 | 09:38 | Studio | ||
| Joram (Bill Massey) | ||||
| August 22, 1956 | 03:02 | Studio | ||
| Just One Of Those Things (Cole Porter) | ||||
| ca. 1955 | Studio | |||
| Ka-link (Philly Joe Jones) | ||||
| October 21, 1956 | 09:01 | Studio | ||
| Keys Of Wisdom (Walt Dickerson) | ||||
| 1976 | 05:59 | Studio | ||
| Kim (Paul Jeffrey) | ||||
| 1972 | Studio | |||
| The Lady (Owen Marshall) | ||||
| November 4, 1956 | 06:44 | Studio | Alternate | |
| The Lady Is A Tramp (Richard Rodgers, Lorenz Hart) | ||||
| ca. 1955 | Studio | |||
| ca. 1955 | Studio | Alternate | ||
| October 15, 1957 | 05:40 | Studio | ||
| Latin Quarters (John Jenkins) | ||||
| October 16, 1957 | 04:37 | Studio | ||
| Lee-Antics (Dick Johnson) | ||||
| October 30, 1957 | 06:37 | Studio | ||
| Let Me Dig It (Bill Broonzy) | ||||
| September 15, 1938 | 02:35 | Studio | ||
| Let's Fall In Love (Harold Arlen, Ted Koehler) | ||||
| ca. February 1957 | 02:36 | Studio | ||
| Like Help | ||||
| ca. 1955 | Studio | |||
| ca. 1955 | Studio | Alternate | ||
| Like Someone In Love (Jimmy Van Heusen, Johnny Burke) | ||||
| between February 8 and March 7, 1957 | Live Performance | |||
| between February 8 and March 7, 1957 | Live Performance | |||
| September 30, 1957 | 05:14 | Studio | ||
| September 30, 1957 | 04:40 | Studio | Alternate | |
| Lil' T [aka The Third] (Donald Byrd) | ||||
| June 25, 1956 | 08:08 | Studio | ||
| October 21, 1956 | 05:15 | Studio | ||
| Little John (John Hines) | ||||
| February 26 or 27, 1958 | 07:30 | Studio | ||
| Lollypop (Johnny Griffin) | ||||
| ca. 1956 | 03:02 | Studio | ||
| Long Ago And Far Away (Jerome Kern, Ira Gershwin) | ||||
| 1957 | Studio | |||
| The Loop (Dick Johnson) | ||||
| October 30, 1957 | 03:35 | Studio | ||
| Love Walked In (George Gershwin, Ira Gershwin) | ||||
| July 21, 1957 | 05:48 | Studio | ||
| August 29, 1961 | Studio | |||
| August 29, 1961 | 06:32 | Studio | ||
| Lover Man (Roger 'Ram' Ramirez, Jimmy Davis, Jimmy Sherman) | ||||
| August 22, 1956 | 04:58 | Studio | ||
| between February 8 and March 7, 1957 | Live Performance | |||
| September 30, 1957 | 02:41 | Studio | ||
| Lullaby Of Broadway (Harry Warren, Al Dubin) | ||||
| ca. February 1957 | 01:55 | Studio | ||
| Lullaby Of The Leaves (Bernice Petkere, Joe Young) | ||||
| October 16, 1957 | 02:56 | Studio | ||
| Make Believe (Jerome Kern, Oscar Hammerstein II) | ||||
| 1957 | Studio | |||
| Mama's Little Boy Thinks He's A Man (Clifford Jordan) | ||||
| May 18 & 19, 1976 | 04:36 | Studio | ||
| Mamma-Daddy (Wilbur Ware) | ||||
| October 16, 1957 | 03:53 | Studio | ||
| The Man I Love (George Gershwin, Ira Gershwin) | ||||
| November 18, 1957 | 07:21 | Studio | ||
| Mark V (J.R. Monterose) | ||||
| October 21, 1956 | 06:30 | Studio | ||
| Martin Luther King, Jr. (Cecil Payne) | ||||
| late 1969 or early 1970 | 06:55 | Studio | Medley | |
| Mason-Dixon Line (Kenny Dorham) | ||||
| March 19, 1961 | 07:22 | Studio | ||
| Me 'n Dave (Dick Johnson) | ||||
| October 30, 1957 | 04:42 | Studio | ||
| Me-Me [aka Prayer To The People] (Clifford Jordan, Hank D. Smith) | ||||
| May 18 & 19, 1976 | 03:30 | Studio | ||
| Mod House | ||||
| January 1969 | 05:49 | Studio | ||
| Monk's Mood (Thelonious Monk) | ||||
| April 16, 1957 | 00:57 | Studio | False Start | |
| April 16, 1957 | 07:52 | Studio | ||
| Mosaic (Cedar Walton) | ||||
| June 15, 1961 | 04:56 | Studio | ||
| My Heart Stood Still (Richard Rodgers, Lorenz Hart) | ||||
| ca. 1955 | Studio | |||
| My Ideal (Newell Chase, Leo Robin, Richard Whiting) | ||||
| September 30, 1957 | 02:46 | Studio | ||
| My One And Only Love (Robert Mellin, Guy Wood) | ||||
| June 25, 1956 | 04:11 | Studio | ||
| The New Message [aka Little T] (Donald Byrd) | ||||
| June 25, 1956 | 08:38 | Studio | ||
| June 25, 1956 | 05:33 | Studio | Alternate | |
| November 4, 1956 | 08:21 | Studio | ||
| November 4, 1956 | 08:08 | Studio | Alternate | |
| April 3, 1957 | 05:59 | Studio | ||
| The Nexus (Walt Dickerson) | ||||
| July 21, 1975 | 22:38 | Studio | ||
| A Night In Tunisia (Dizzy Gillespie, Frank Paparelli) | ||||
| November 3, 1957 - evening | 09:03 | Live Recording | ||
| Nutty (Thelonious Monk) | ||||
| probably July 1957 | 06:36 | Studio | ||
| Off Minor (Thelonious Monk) | ||||
| June 26, 1957 | 05:14 | Studio | Alternate | |
| June 26, 1957 | 05:08 | Studio | ||
| Old Devil Moon (Burton Lane, E. Y. Harburg) | ||||
| November 3, 1957 - evening | 08:19 | Live Recording | ||
| One Flight Down (Cedar Walton) | ||||
| June 15, 1961 | 04:43 | Studio | ||
| One For Myrtle (Tina Brooks) | ||||
| March 2, 1961 | 04:39 | Studio | ||
| Orient (Ernie Henry) | ||||
| August 23, 1956 | 05:06 | Studio | ||
| Osmosis (Osie Johnson) | ||||
| December 13 & 18, 1956 | 04:44 | Studio | ||
| Ouagoudougou (Clifford Jordan) | ||||
| spring 1969 | 11:00 | Studio | ||
| Out Of Nowhere (Johnny Green, Edward Heyman) | ||||
| August 22, 1956 | 03:22 | Studio | ||
| Over The Rainbow (Harold Arlen, E. Y. Harburg) | ||||
| ca. February 1957 | 03:12 | Studio | ||
| Paul's Pal (Sonny Rollins) | ||||
| April 3, 1957 | 06:35 | Studio | ||
| Pink Ice (Bob Wilber) | ||||
| ca. 1955 | Studio | |||
| ca. 1955 | Studio | Alternate | ||
| Powerful Paul Robeson (Clifford Jordan, Hank D. Smith) | ||||
| May 18 & 19, 1976 | 05:51 | Studio | ||
| Princess (John Jenkins) | ||||
| July 26, 1957 | 06:15 | Studio | ||
| Promenade (William Boone, Jr.) | ||||
| July 2 & 3, 1958 | 01:40 | Studio | ||
| Quittin' Time (Clifford Jordan) | ||||
| June 14, 1961 | 04:02 | Studio | ||
| Red Cross (Charlie Parker) | ||||
| January 1969 | 08:21 | Studio | ||
| Reggie Of Chester (Benny Golson) | ||||
| November 4, 1956 | 04:52 | Studio | ||
| Remember Me? (Harry Warren, Al Dubin) | ||||
| ca. February 1957 | 03:55 | Studio | ||
| Rhythm-a-ning (Thelonious Monk) | ||||
| August 12, 1957 | 05:19 | Studio | ||
| Rider Rider Blues (Bill Broonzy) | ||||
| September 15, 1938 | 02:42 | Studio | ||
| Riff Raff (Wilbur Ware) | ||||
| ca. 1956 | 03:10 | Studio | ||
| Roccus (Horace Silver) | ||||
| November 4, 1956 | 08:15 | Studio | Alternate | |
| Rodan (Sylvester 'Sonny Red' Kyner) | ||||
| 1972 | Studio | |||
| 'Round Midnight (Thelonious Monk, Cootie Williams, Bernie Hanighen) | ||||
| August 13, 1957 | 08:27 | Studio | ||
| Ruby, My Dear (Thelonious Monk) | ||||
| June 26, 1957 | 05:25 | Studio | ||
| probably July 1957 | 06:19 | Studio | ||
| Satin Wrap (Johnny Griffin) | ||||
| ca. 1956 | 03:05 | Studio | ||
| September In The Rain (Harry Warren, Al Dubin) | ||||
| ca. February 1957 | 02:35 | Studio | ||
| Serenade In Blue (Harry Warren, Mack Gordon) | ||||
| ca. February 1957 | 03:05 | Studio | ||
| Shoutin' On A Riff (Sonny Clark) | ||||
| July 21, 1957 | 06:41 | Studio | ||
| Sir John (Richard 'Blue' Mitchell) | ||||
| July 2 & 3, 1958 | 08:05 | Studio | ||
| Slide Hampton (Cecil Payne) | ||||
| late 1969 or early 1970 | 04:21 | Studio | ||
| Slow Drag (Archie Shepp) | ||||
| August 26, 1969 | 10:15 | Studio | ||
| Smoke Gets In Your Eyes (Jerome Kern, Otto Harbach) | ||||
| 1957 | Studio | |||
| Soft Talk (Julian Priester) | ||||
| July 26, 1957 | 10:32 | Studio | ||
| Soft Winds (Fletcher Henderson) | ||||
| between February 8 and March 7, 1957 | Live Performance | |||
| Softly, As In A Morning Sunrise (Sigmund Romberg, Oscar Hammerstein II) | ||||
| November 3, 1957 - evening | 08:03 | Live Recording | ||
| November 3, 1957 - evening | 06:43 | Live Recording | ||
| The Song Is You (Jerome Kern, Oscar Hammerstein II) | ||||
| 1957 | Studio | |||
| Sonnymoon For Two (Sonny Rollins) | ||||
| November 3, 1957 - evening | 08:46 | Live Recording | ||
| Sonny's Mood (Sonny Clark) | ||||
| July 21, 1957 | 08:35 | Studio | ||
| Soon (George Gershwin, Ira Gershwin) | ||||
| September 30, 1957 | 06:00 | Studio | ||
| Sophisticated Lady (Duke Ellington, Mitchell Parish, Irving Mills) | ||||
| January 1969 | 08:35 | Studio | ||
| Soul Station (Jean 'Toots' Thielemans) | ||||
| December 30, 1957 | 06:58 | Studio | ||
| Sound Shine (part 1) | ||||
| January 1968 | Studio | |||
| Spadesville (Kenny Dorham) | ||||
| March 19, 1961 | 09:16 | Studio | ||
| Specific Gravity (Ernie Henry) | ||||
| September 30, 1957 | 06:39 | Studio | ||
| Spring Will Be A Little Late This Year (Frank Loesser) | ||||
| June 25, 1956 | 03:37 | Studio | ||
| Stand By (Benny Golson) | ||||
| November 4, 1956 | 05:49 | Studio | Alternate | |
| Stella By Starlight (Victor Young, Ned Washington) | ||||
| between February 8 and March 7, 1957 | Live Performance | |||
| October 30, 1957 | 04:28 | Studio | ||
| Stix' Trix (Wilbur Campbell) | ||||
| February 25, 1958 | 07:37 | Studio | ||
| Stormy Weather (Harold Arlen, Ted Koehler) | ||||
| ca. February 1957 | 03:00 | Studio | ||
| Straight No Chaser (Thelonious Monk) | ||||
| August 12, 1957 | 05:27 | Studio | Alternate | |
| August 12, 1957 | 06:58 | Studio | ||
| Stranger In Paradise (George 'Chet' Forrest, Robert Craig Wright, Alexander Borodin) | ||||
| March 2, 1961 | 07:32 | Studio | ||
| Strike Up The Band (George Gershwin, Ira Gershwin) | ||||
| ca. 1955 | Studio | |||
| Striver's Row (Sonny Rollins) | ||||
| November 3, 1957 - evening | 05:59 | Live Recording | ||
| November 3, 1957 - evening | Live Recording | |||
| Struttin' With Some Barbecue (Lillian Hardin Armstrong, Don Raye) | ||||
| December 30, 1957 | 04:30 | Studio | ||
| Sunny Monday (John Hines) | ||||
| February 26 or 27, 1958 | 09:52 | Studio | ||
| Sunrise In Mexico (Kenny Dorham) | ||||
| June 14, 1961 | 05:58 | Studio | ||
| Superbass [aka ? BeWare] (Wilbur Ware) | ||||
| January 1969 | 07:24 | Studio | ||
| Sweet And Lovely (Gus Arnheim, Jules Lemare, Harry Tobias) | ||||
| August 13, 1957 | 07:15 | Studio | ||
| Sweet Georgia Brown (Ben Bernie, Kenneth Casey, Maceo Pinkard) | ||||
| August 22, 1956 | 02:55 | Studio | ||
| Sweet Lorraine (Mitchell Parish, Cliff Burwell) | ||||
| September 30, 1957 | 05:01 | Studio | ||
| Swim, Jim (George Handy) | ||||
| December 13 & 18, 1956 | 07:07 | Studio | ||
| Symphony For .... (Wilbur Ware) | ||||
| January 1969 | 10:16 | Studio | ||
| Tails And Limas | ||||
| September or October 1949 | Studio | |||
| Taking A Chance On Love (Vernon Duke, Ted Fetter, John Latouche) | ||||
| December 13 & 18, 1956 | 06:01 | Studio | ||
| Talkin' About (Tina Brooks) | ||||
| March 2, 1961 | 07:41 | Studio | ||
| Tell Us Only The Beautiful Things (Walt Dickerson) | ||||
| July 21, 1975 | 18:30 | Studio | ||
| Tenderly (Walter Gross, Jack Lawrence) | ||||
| July 26, 1957 | 07:03 | Studio | ||
| Teri's Tune (Teri Thornton) | ||||
| February 26 or 27, 1958 | 08:00 | Studio | ||
| That Moment Of Glance | ||||
| January 1968 | 04:50 | Studio | ||
| That Old Black Magic (Harold Arlen, Johnny Mercer) | ||||
| ca. February 1957 | 03:24 | Studio | ||
| There Will Never Be Another You (Harry Warren, Mack Gordon) | ||||
| July 2 & 3, 1958 | 04:59 | Studio | ||
| These Foolish Things (Harry Link, Holt Marvell, Jack Strachey) | ||||
| ca. 1956 | 03:36 | Studio | ||
| This Is New (Kurt Weill, Ira Gershwin) | ||||
| March 28, 1957 | 06:52 | Studio | ||
| Thou Swell (Richard Rodgers, Lorenz Hart) | ||||
| between February 8 and March 7, 1957 | Live Performance | |||
| Time After Time (Jule Styne, Sammy Cahn) | ||||
| April 21, 1957 | 06:45 | Studio | ||
| Trinkle, Tinkle (Thelonious Monk) | ||||
| probably July 1957 | 06:39 | Studio | ||
| Un Croque Monsieur (Poem: For Losers) (Archie Shepp) | ||||
| August 26, 1969 | 21:45 | Studio | ||
| [unknown titles] (Composer Unknown) | ||||
| ca. 1970 | Studio | |||
| Vienna (Clifford Jordan) | ||||
| spring 1969 | 17:10 | Studio | ||
| The Waiting Game (Tina Brooks) | ||||
| March 2, 1961 | 06:12 | Studio | ||
| The Way You Look Tonight (Jerome Kern, Dorothy Fields) | ||||
| 1957 | Studio | |||
| Wee-Jay (J.R. Monterose) | ||||
| October 21, 1956 | 07:17 | Studio | Alternate | |
| October 21, 1956 | 06:56 | Studio | ||
| Well, You Needn't (Thelonious Monk) | ||||
| June 26, 1957 | 01:25 | Studio | Incomplete | |
| June 26, 1957 | 11:23 | Studio | ||
| What Is A Man? (Richard Rodgers, Lorenz Hart) | ||||
| October 15, 1957 | 05:04 | Studio | ||
| What Is This Thing Called Love (Cole Porter) | ||||
| November 3, 1957 - evening | 14:03 | Live Recording | ||
| What Would It Be Without You (Cal Massey) | ||||
| August 26, 1969 | Studio | |||
| What's New (Bob Haggart, Johnny Burke) | ||||
| February 25, 1958 | 07:45 | Studio | ||
| When Your Lover Has Gone (Einar A. Swan) | ||||
| ca. 1955 | Studio | |||
| Where's Your Overcoat, Boy? (Richard Evans) | ||||
| February 26 or 27, 1958 | 06:16 | Studio | ||
| Why Cry? (George Handy) | ||||
| December 13 & 18, 1956 | 05:54 | Studio | ||
| Why Do I Love You (Jerome Kern, Oscar Hammerstein II) | ||||
| 1957 | Studio | |||
| April 3, 1957 | 05:12 | Studio | ||
| Windmill (Kenny Dorham) | ||||
| June 15, 1961 | 03:52 | Studio | ||
| Woody 'n You (Dizzy Gillespie) | ||||
| November 3, 1957 - evening | 08:29 | Live Recording | ||
| February 26 or 27, 1958 | 06:09 | Studio | ||
| World Wide Boots (Phil Woods) | ||||
| May 2, 1957 | 08:22 | Studio | ||
| W.P.A. Rag (Bill Broonzy) | ||||
| September 15, 1938 | 02:47 | Studio | ||
| Yelrihs (Charles Moffett, Sr.) | ||||
| ca. 1969 | 11:04 | Studio | ||
| Yesterdays (Jerome Kern, Otto Harbach) | ||||
| ca. 1956 | 02:31 | Studio | ||
| 1957 | Studio | |||
| 1976 | 09:24 | Studio | ||
| You And The Night And The Music (Arthur Schwartz, Howard Dietz) | ||||
| August 29, 1961 | 08:12 | Studio | ||
| You Go To My Head (J. Fred Coots, Haven Gillespie) | ||||
| ca. 1955 | Studio | |||
| You Must Have Been A Beautiful Baby (Harry Warren, Johnny Mercer) | ||||
| ca. February 1957 | 02:02 | Studio | ||
| You Stepped Out Of A Dream (Nacio Herb Brown, Gus Kahn) | ||||
| August 29, 1961 | 04:57 | Studio | ||
| You'll Never Know (Harry Warren, Mack Gordon) | ||||
| ca. February 1957 | 02:52 | Studio | ||
| You're Getting To Be A Habit With Me (Al Dubin, Harry Warren) | ||||
| ca. February 1957 | 02:04 | Studio | ||
| You're My Everything (Harry Warren, Mort Dixon, Joe Young) | ||||
| ca. February 1957 | 02:42 | Studio | ||
| You're My Thrill (Sidney Clare, Jay Gorney) | ||||
| March 28, 1957 | 05:16 | Studio | ||