Generated on Sat, Sep 24, 2011
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| Song Title | ||||
|---|---|---|---|---|
| Date | Timing | Session Type | Performance Type | |
| Adagio And Fugue (W. A. Mozart) | ||||
| January 3, 1964 | Live Performance | |||
| Alabama Song (Kurt Weill, Bertolt Brecht) | ||||
| January 10, 1964 | 05:25 | Studio | ||
| As You Make Your Bed (Kurt Weill, Bertolt Brecht) | ||||
| January 10, 1964 | 05:29 | Studio | ||
| Barbara Song (Kurt Weill, Bertolt Brecht) | ||||
| June 1, 1964 | 05:08 | Studio | ||
| Bilbao Song (Kurt Weill, Bertolt Brecht) | ||||
| June 1, 1964 | 03:47 | Studio | Alternate | |
| June 1, 1964 | 03:49 | Studio | ||
| Brown Baby (Oscar Brown, Jr.) | ||||
| December 2, 1962 | Live Performance | |||
| Concerto a 8 (Johann Disnas Zelenka) | ||||
| March 13, 1964 | Live Performance | |||
| Concerto For Jazz Soloist And Orchestra (William O. Smith) | ||||
| March 13, 1964 | Live Performance | |||
| April 24, 1964 | Live Performance | |||
| Concerto For Percussion And Small Orchestra (Darius Milhaud) | ||||
| March 13, 1964 | Live Performance | |||
| Concerto For Violin (Robert DiDomenica) | ||||
| March 13, 1964 | Live Performance | |||
| Concerto Grosso (Peter Phillips) | ||||
| March 13, 1964 | Live Performance | |||
| Concerto No. 2 For Orchestra (Miljenko Prohaska) | ||||
| November 29, 1963 | Live Performance | |||
| May 4, 1965 | 10:44 | Studio | ||
| Cortege (John Lewis) | ||||
| November 29, 1963 | Live Performance | |||
| Divertimento In F [K. 247] (W. A. Mozart) | ||||
| April 24, 1964 | Live Performance | |||
| Donnie's Theme (John Lewis) | ||||
| February 27, 1963 | 05:18 | Studio | ||
| November 29, 1963 | Live Performance | |||
| Duke Bey (Arif Mardin) | ||||
| March 13, 1964 | Live Performance | |||
| June 29, 1964 | 04:56 | Studio | ||
| Ebony Concerto (Igor Stravinsky) | ||||
| March 13, 1964 | Live Performance | |||
| April 24, 1964 | Live Performance | |||
| England's Carol (John Lewis) | ||||
| November 29, 1963 | Live Performance | |||
| Five Pieces For Orchestra (Anton Webern) | ||||
| February 7, 1964 | Live Performance | |||
| Fugue In D Minor (J. S. Bach) | ||||
| November 29, 1963 | Live Performance | |||
| German Dances (Franz Schubert, Anton Webern) | ||||
| February 7, 1964 | Live Performance | |||
| Grand Encounter (Gary McFarland) | ||||
| December 2, 1962 | Live Performance | |||
| February 4, 1963 | 05:41 | Studio | ||
| Havana Song (Kurt Weill, Bertolt Brecht) | ||||
| January 10, 1964 | 06:19 | Studio | ||
| Hex (Jimmy Giuffre) | ||||
| January 29, 1965 | Live Performance | |||
| May 3, 1965 | 04:07 | Studio | ||
| I Should Care (Axel Stordahl, Paul Weston, Sammy Cahn) | ||||
| November 29, 1963 | Live Performance | |||
| I'm Getting Sentimental Over You (Ned Washington, George Bassman) | ||||
| November 29, 1963 | Live Performance | |||
| Improvisation (collective improvisation) | ||||
| November 29, 1963 | Live Performance | |||
| Intima (Miljenko Prohaska) | ||||
| November 29, 1963 | Live Performance | |||
| June 29, 1964 | 04:18 | Studio | ||
| Jazz Cantata (André Hodeir) | ||||
| April 24, 1964 | Live Performance | |||
| Journey Into Jazz (Gunther Schuller, Nat Hentoff) | ||||
| January 3, 1964 | Live Performance | |||
| May 22, 1964 | 18:14 | Studio | ||
| January 29, 1965 | Live Performance | |||
| Kammermusik No. 3 (Paul Hindemith) | ||||
| March 13, 1964 | Live Performance | |||
| April 24, 1964 | Live Performance | |||
| La Creation Du Monde (Darius Milhaud) | ||||
| February 7, 1964 | Live Performance | |||
| January 29, 1965 | Live Performance | |||
| Labyrinth (Hans Werner Henze) | ||||
| February 7, 1964 | Live Performance | |||
| Mack The Knife [aka Moritat] (Kurt Weill, Bertolt Brecht, Marc Blitzstein) | ||||
| June 1, 1964 | 04:52 | Studio | Alternate | |
| June 1, 1964 | 05:07 | Studio | ||
| Medea (Harold Farberman) | ||||
| January 29, 1965 | Live Performance | |||
| Milano (John Lewis) | ||||
| February 4, 1963 | 03:38 | Studio | ||
| Milesign (Gary McFarland) | ||||
| December 2, 1962 | Live Performance | |||
| February 4, 1963 | 05:20 | Studio | ||
| Natural Affection (John Lewis) | ||||
| February 27, 1963 | 05:30 | Studio | ||
| November 29, 1963 | Live Performance | |||
| Nocturne For Strings (Antonín Dvořák) | ||||
| February 7, 1964 | Live Performance | |||
| Odds Against Tomorrow (John Lewis) | ||||
| January 3, 1964 | Live Performance | |||
| Pirate Jenny (Kurt Weill, Bertolt Brecht) | ||||
| June 1, 1964 | 04:25 | Studio | Alternate | |
| June 1, 1964 | 03:35 | Studio | ||
| A Portrait Of Coleman Hawkins (Benny Golson) | ||||
| March 13, 1964 | Live Performance | |||
| June 29, 1964 | 07:18 | Studio | ||
| Pressure (Teo Macero) | ||||
| January 29, 1965 | Live Performance | |||
| May 3, 1965 | 04:10 | Studio | ||
| Pretty Little Gypsy (Gary McFarland) | ||||
| November 29, 1963 | Live Performance | |||
| The Queen's Fancy (John Lewis) | ||||
| November 29, 1963 | Live Performance | |||
| Ragtime For Eleven Instruments (Igor Stravinsky) | ||||
| January 3, 1964 | Live Performance | |||
| Recitativo For Violin And Strings (Francesco Antonio Bonporti) | ||||
| April 24, 1964 | Live Performance | |||
| Silver (John Lewis) | ||||
| November 29, 1963 | Live Performance | |||
| June 29, 1964 | 02:48 | Studio | ||
| Sketches (John Lewis) | ||||
| February 7, 1964 | Live Performance | |||
| Sonorities For Orchestra (Hall Overton) | ||||
| March 22, 1965 | 06:40 | Studio | ||
| The Star Spangled Banner (John Stafford Smith, Francis Scott Key) | ||||
| February 27, 1963 | 01:22 | Studio | ||
| Swing Low, Sweet Chariot (Traditional) | ||||
| November 8, 1964 | Live Performance | |||
| May 4, 1965 | 06:50 | Studio | ||
| Three Little Feelings (John Lewis) | ||||
| December 28, 1962 | Live Performance | |||
| January 12, 1963 | 10:56 | Studio | ||
| The Unanswered Question (Charles Ives) | ||||
| January 3, 1964 | Live Performance | |||
| [unknown titles] (Composer Unknown) | ||||
| December 2, 1962 | Live Performance | |||
| December 28, 1962 | Live Performance | |||
| February 7, 1964 | Live Performance | |||
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